When the letters were published and I was asked to write about them, the irony of the situation seemed to be in the best tradition of Isak Dinesen herself – Isak, in Hebrew, means ‘one who laughs’.Ībove all else, this collection of letters illuminates Karen Blixen’s skill as a writer, but unlike her earlier published work, the letters also enable us to see her as herself, for they are addressed to members of her family. The obvious course was to pursue the research from her storyteller’s viewpoint instead. Her love for Denys Finch Hatton had been obsessive and was to be so enduring that she wove and interwove conversations they had had, experiences they had shared, as well as many of his personal characteristics, into her writing. Fortunately for me, from 1931, when Karen Blixen’s (alias Isak Dinesen’s) lover died in a flying accident, everything that she wrote, both fact and fiction, included strands of their relationship. I had to find an alternative method of research.

When his subject is the more elusive half of a pair of lovers, the question immediately arises as to whether there can be a biography at all. The biographer’s nightmare is the knowledge that an important collection of papers pertaining to his subject is being withheld from him during research. In 1972 I started work on a study of Denys Finch Hatton and his relationship with Karen Blixen.

Denys finch hatton